The Women of American Abstract Artists, 1936 – Present
On view July 14, 2022–October 23, 2022 at the LSU Museum of Art (5th floor of the Shaw Center for the Arts)
An awe-inspiring celebration of an intergenerational group of artists—one that is both comprehensive and long overdue—Blurring Boundaries: The Women of American Abstract Artists, 1936 – Present highlights the indelible ways in which the women of American Abstract Artists have, for more than eighty years, shifted and shaped the frontiers of American abstraction.
The hierarchy of distilled form, immaculate line, and pure color came close to being the mantra of 1930s modern art—particularly that of American Abstract Artists (AAA), the subject of a new exhibition entitled Blurring Boundaries: The Women of American Abstract Artists, 1936 – Present. From the outset—due as much to their divergent status as abstract artists as to their gender—women of American Abstract Artists were already working on the periphery of the art world. In contrast to the other abstract artist collectives of the period, where equal footing for women was unusual, AAA provided a place of refuge for female artists. Through fifty-six works, Blurring Boundaries explores the artists’ astounding range of styles, including their individual approaches to the guiding principles of abstraction: color, space, light, material, and process.
More than eighty years after its founding, AAA continues to nurture and support a vibrant community of artists with diverse identities and wide-ranging approaches to abstraction. In celebration of this tradition, Blurring Boundaries: The Women of American Abstract Artists traces the extraordinary contributions of the female artists within AAA, from the founders to today’s practicing members. Included are works by historic members Perle Fine, Esphyr Slobodkina, Irene Rice Pereira, Alice Trumbull Mason, and Gertrude Greene, as well as current members such as Ce Roser, Irene Rousseau, Judith Murray, Alice Adams, Merrill Wagner and Katinka Mann.
Blurring Boundaries: The Women of American Abstract Artists, 1936-Present was organized by The Clara M. Eagle Gallery, Murray State University, Murray, KY and the Ewing Gallery, The University of Tennessee, Knoxville, TN and is toured by International Arts & Artists, Washington, DC. The exhibition was curated by Rebecca DiGiovanna.This exhibition is also sponsored by Taylor Porter Attorneys At Law.
Sunday, October 23, 2022
Shaw Center for the Arts, LSU Museum of Art, 5th floor
100 Lafayette St, Baton Rouge, LA 70801