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VERSION:2.0
CALSCALE:GREGORIAN
PRODID:iCalendar-Ruby
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220714
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412040593
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220715
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412041618
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220716
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412043667
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220717
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412045716
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220718
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412047765
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220719
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412048790
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220720
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412050839
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220721
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412052888
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220722
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412054937
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220723
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412055962
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220724
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412058011
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220725
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412060060
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220726
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412062109
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220727
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412063134
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220728
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412065183
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220729
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412066208
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220730
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412068257
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220731
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412070306
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220801
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412071331
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220802
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412073380
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220803
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412074405
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220804
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412076454
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220805
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412078503
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220806
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412080552
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220807
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412082601
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220808
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412083626
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220809
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412085675
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220810
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412086700
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220811
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412088749
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220812
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412090798
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220813
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412091823
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220814
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412093872
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220815
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412095921
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220816
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412097970
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220817
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412098995
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220818
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412101044
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220819
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412103093
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220820
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412105142
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220821
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412107191
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220822
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412108216
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220823
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412110265
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220824
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412111290
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220825
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412113339
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220826
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412115388
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220827
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412116413
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220828
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412119486
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220829
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412120511
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220830
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412122560
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220831
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412124609
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220901
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412126658
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220902
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412128707
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220903
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412130756
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220904
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412131781
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220905
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412133830
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220906
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412134855
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220907
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412136904
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220908
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412138953
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220909
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412139978
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220910
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412142027
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220911
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412144076
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220912
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412145101
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220913
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412147150
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220914
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412148175
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220915
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412150224
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220916
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412152273
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220917
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412153298
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220918
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412155347
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220919
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412157396
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220920
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412159445
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220921
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412161494
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220922
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412163543
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220923
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412164568
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220924
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412166617
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220925
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412168666
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220926
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412170715
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064302Z
DTSTART;VALUE=DATE:20220927
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412172764
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20220928
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412174813
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20220929
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412176862
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20220930
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412178911
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221001
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412180960
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221002
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412183009
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221003
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412185058
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221004
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412186083
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221005
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412188132
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221006
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412190181
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221007
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412192230
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221008
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412194279
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221009
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412196328
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221010
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412198377
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221011
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412200426
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221012
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412201451
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221013
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412217836
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221014
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412219885
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221015
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412220910
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221016
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412222959
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221017
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412223984
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221018
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412226033
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221019
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412228082
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221020
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412229107
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221021
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412231156
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221022
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412233205
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture
DESCRIPTION:Blurring Boundaries:\nThe Women of American Abstract Artists\, 
 1936 – Present\n\nOn view July 14\, 2022–October 23\, 2022 at the LSU Museu
 m of Art (5th floor of the Shaw Center for the Arts)\n\nAn awe-inspiring ce
 lebration of an intergenerational group of artists—one that is both compreh
 ensive and long overdue—Blurring Boundaries: The Women of American Abstract
  Artists\, 1936 – Present highlights the indelible ways in which the women 
 of American Abstract Artists have\, for more than eighty years\, shifted an
 d shaped the frontiers of American abstraction.\n\nThe hierarchy of distill
 ed form\, immaculate line\, and pure color came close to being the mantra o
 f 1930s modern art—particularly that of American Abstract Artists (AAA)\, t
 he subject of a new exhibition entitled Blurring Boundaries: The Women of A
 merican Abstract Artists\, 1936 – Present. From the outset—due as much to t
 heir divergent status as abstract artists as to their gender—women of Ameri
 can Abstract Artists were already working on the periphery of the art world
 . In contrast to the other abstract artist collectives of the period\, wher
 e equal footing for women was unusual\, AAA provided a place of refuge for 
 female artists. Through fifty-six works\, Blurring Boundaries explores the 
 artists’ astounding range of styles\, including their individual approaches
  to the guiding principles of abstraction: color\, space\, light\, material
 \, and process.\n\nMore than eighty years after its founding\, AAA continue
 s to nurture and support a vibrant community of artists with diverse identi
 ties and wide-ranging approaches to abstraction. In celebration of this tra
 dition\, Blurring Boundaries: The Women of American Abstract Artists traces
  the extraordinary contributions of the female artists within AAA\, from th
 e founders to today’s practicing members. Included are works by historic me
 mbers Perle Fine\, Esphyr Slobodkina\, Irene Rice Pereira\, Alice Trumbull 
 Mason\, and Gertrude Greene\, as well as current members such as Ce Roser\,
  Irene Rousseau\, Judith Murray\, Alice Adams\, Merrill Wagner and Katinka 
 Mann.\n\nBlurring Boundaries: The Women of American Abstract Artists\, 1936
 -Present was organized by The Clara M. Eagle Gallery\, Murray State Univers
 ity\, Murray\, KY and the Ewing Gallery\, The University of Tennessee\, Kno
 xville\, TN and is toured by International Arts & Artists\, Washington\, DC
 . The exhibition was curated by Rebecca DiGiovanna.This exhibition is also 
 sponsored by Taylor Porter Attorneys At Law.
DTSTAMP:20260317T064303Z
DTSTART;VALUE=DATE:20221023
GEO:30.447837;-91.188858
LOCATION:Shaw Center for the Arts\, LSU Museum of Art\, 5th floor
SEQUENCE:0
SUMMARY:Blurring Boundaries: The Women of American Abstract Artists\, 1936 
 – Present at the LSU Museum of Art
UID:tag:localist.com\,2008:EventInstance_40253412234230
URL:https://calendar.lsu.edu/event/blurring_boundaries_the_women_of_america
 n_abstract_artists_1936_present_at_the_lsu_museum_of_art
END:VEVENT
END:VCALENDAR